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supported by 10 fans who also own “Evelyn Cameron”
This is the first album I found that really spoke to me as a young fem. From the simplicity, the bass drum, specifically in landfill is so steady and soothing. I love landfill because it perfectly portrays trauma bonds, sexual or romantic relationships rooted in power imbalance. Being led on, unrequited love, constantly being clueless if someone is a real friend, or a lover. Are they yours or are they ruthlessly rogue. Untameable. Love and hate are such similar feelings, and they often mingle.
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Through the Deep, Dark Valley
by The Oh Hellos
supported by 9 fans who also own “Evelyn Cameron”
This album makes me want to run in a valley, dance near a bonfire, and repent for all my sins at the same time.
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supported by 8 fans who also own “Evelyn Cameron”
Hi, my name is Tommy and I live in Sweden. I have bought your album. It is innovative and different. But at the same time very good!
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The Australian singer's debut solo album is filled with creative indie pop tracks.
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Loosely structured around the Pokémon game of the same name, “Fire Red” is hushed and layered indie folk.
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A new record from Danish outfit SUNDAYS is replete with melodic hooks and punchy vocals.
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supported by 7 fans who also own “Evelyn Cameron”
Paper Window emotionally captures me with every listen. It houses my favourite song ever written and keeps me together when all hope feels lost.
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